Ebook Improvise: Scene from the Inside Out
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Improvise: Scene from the Inside Out
Ebook Improvise: Scene from the Inside Out
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Review
Award-winning director and experienced improv instructor Mick Napier presents Improvise.: Scene from the Inside Out, now in an expanded and revised second edition with additional tips, tricks, and techniques as well as a full reproduction of Napier's web journal from his time directing "Paradigm Lost" for The Second City. Chapters teach the reader about the oft-misunderstood art of improvisation - creating performance art (comedy, drama, or what-have-you) on the spot with no script, whether by oneself or as part of a group. Topics covered include how to use context to one's advantage, two-person scenes, balanced large-cast scenes, advice for successful auditioning, solo exercises one can practice at home, and much more. Actors of all walks of life (whether their primary venue is improv-heavy or not) will directly benefit from Napier's expertise; comedian and talk show host Stephen Colbert certainly did, as he testifies in a brief yet hilarious foreword! --Midwest Book ReviewMick Napier's Improvise contains excellent examples of actual development of improvisational ideas, showing how dialogue can be improvised and developed with specificity. The Wizard of Oz example is often used, and makes it easy to identify with each of the techniques as they are introduced. The book contains many practical ideas throughout and the breadth of the book is excellent, especially for those who are serious about considering entering the world of improvisation professionally or even as a hobby. Further, audition techniques and a journal from his work with Second City take us into the real world of improvisational theater and help many who are interested in moving in that direction. Mick Napier has really created an exceptional handbook for improvisation. --Reader's FavoriteNapier, founder of Chicago's Annoyance Theater and a veteran Second City director, is the author of my favourite how-to improv book, Improvise: Scene from the Inside Out. --Chris Hannay, Improv Embassy, Ottowa, Canada
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About the Author
Mick Napier is the founder of the acclaimed Annoyance Theatre in Chicago and New York, as well as aDirector and Artistic Consultant for The Second City, the most influential and prolific comedy theater in theworld. Napier is known both nationally and internationally as an innovator and creative force in comedy,improvisation, and theater.With the Annoyance, Mick has spent more than 25 years developing and cultivating a style of work andproduction that has been both acclaimed and imitated. As a Director and Artistic Consultant for the globallyrenowned Second City, he made his mark, having directed more than 10 revues there including the 40th and 50thAnniversary revues, and Paradigm Lost, which earned him a Joseph Jefferson Award for Direction. Throughouthis career, Mick has directed such high profile actors and writers as Aidy Bryant and Vanessa Bayer (Swear Jar),Tina Fey, Jason Sudeikis, and Stephen Colbert (The Second City), Martin Short (Martin Short & Friends,) JeffGarlin (I Want Someone to Eat Cheese With), and David and Amy Sedaris in their Obie Award-winning hit OneWoman Shoe.
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Product details
Paperback: 272 pages
Publisher: Meriwether Publishing Ltd; Second edition (August 17, 2015)
Language: English
ISBN-10: 156608198X
ISBN-13: 978-1566081986
Product Dimensions:
5.5 x 0.8 x 8.5 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#37,528 in Books (See Top 100 in Books)
"Annoyance-Style Improv" is not what the general public pictures when the words "improvisational theater" come to mind, yet the Annoyance Theater and its alumni have had a grand impact on improv worldwide - an influence that is continuing to be felt well outside of Chicago.For most students of improv, "Impro" by Keith Johnstone is still considered the primary reference. Mick Napier has written a book that is arguably every bit as (or more) important. In a relatively short manual, Napier discusses how to create more natural work that breaks many of the traditional rules and conventions of improv and stands on its own.I have been producing and directing improvisational theater since 2004 and, for the past several years, this book has been required reading for every single person who has entered the group. I cannot recommend it highly enough.
So far I've read Chalma Halpern's "Truth in Comedy", Viola Spolin's "Improvisation for the Theater", Keith Johnstone's "Impro", and now this book, and I would say this one has the most useful information as far as *becoming a better stage improviser" goes. What I mean is that it is full of tips, advice, and useful things to consider, and seems meant for someone who has already knows a little bit about the BASICS. Mick Napier asks the reader to rethink some of the "rules" that the basic improv teaching lays down, while adding some important insights of his own.In this sense, I think that "Truth In Comedy" is the best INTRO to improv, for someone just starting out. Then, I'd recommend "Improvise: Scene From The Inside Out" as a necessary followup, and then Keith Johnstone's "Impro" as a whole new viewpoint and also a deeper insight into the philosophy of being in the moment. (By the way, I would avoid the Viola Spolin book - it's written in a strangely stilted, boring, hard-to-read style, and really contains no memorable information).Particularly useful in Napier's book are the "Exercises To Do At Home", which is something I've been looking for - most other books have exercises which are meant to be practiced in a group setting.I found the chapter on "Improvisation & the Second Law Of Thermodynamics" to be unnecessary though - it didn't really add anything and seemed to be sort of a weird tangent. Luckily, it's short.Anyhow, after reading this book I really do feel as if I understand a lot more about what separates a "great" improviser from a merely "good" one. Now comes the hard part - PRACTICING & GETTING UP THERE AND DOING IT!!!P.S. I was recommended this book by Dustin Sharpe, my Improv instructor at the Acting School of South Florida, and also a member of the awesome improv group Mod27. Thanks Dustin!
Really enjoyed this book, especially that it provides tangible exercises you can do with a group or individually, and provides concrete/real-life examples of dialogue and situations as examples. A very practical book for improvisers! I reference different parts of it often just to keep certain skills top-of-mind.
I've taken 4 levels of improv so far, so I'm at an intermediate level. This book contains specific exercises you can do, specific things you can try, specific advice you can apply, and specific things to think about - no fluff, just great writing. It's fun to read this book even if you don't need to improve your improv!
Great book. Different philosophy about improv than other books I've read on the subject. Great exercises you can do by yourself to improve your skills.
Mick Napier claims to not lay out any rules. Not strictly true, but the point holds: thinking about what to do and what not to do won't help you advance a scene. Napier's new rules and explanations should help anyone who's done some improvising, and knows the feeling of a scene never taking off. If you don't know that feeling, I'm not sure that this book will connect.I found 'Improvise' much more helpful than 'Truth in Comedy' for actual scene work and, as everyone notes, less preachy and self-congratulatory. That's not to say that 'Truth' isn't worth your time, just that if I had to pick only one it's this one.Also, Napier includes exercises that one person can do on their own, which I found very helpful. These are mainly oriented toward developing mental muscles that allow you to make bigger, quicker leaps in thought, and get comfortable with first thoughts and going with your gut. So, good exercises for just being a human.
This is my favorite book about improv. Mick Napier builds up improv with a deep understanding of humor, performance and the self. It's not about rules, it's about strategies, motivations and goals. He has a number of concrete exercises I use for myself and with students.
I've been needing to add improv skills to my acting resume for a while now, and had several books on my wish list. Then I got the chance to take a class, which recommended this book. Improvise: Scene from the Inside Out is quite possibly the only improv book I'll ever need!It is easy to read, explains "The Rules" clearly and also explains why _not_ to follow them (or at least get them out of your head), and I was able to put the suggestions to work in class straight away. The examples of good and bad improv scenes for each situation/suggestion make it clear that the death of improv is being in your head too much.I think even actors who go from the outside in for their characterizations will be able to follow and use this book, and I also believe that people with no acting or improv experience whatsoever will be able to skip the "bad" area of the improv meter and spend less time in the "dork" area before hitting the "great"!
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April 02, 2019
mickaelcamrynfredianoturati
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